Wendelle Stevens is an investigator and researcher.
The first and probably the most thorough investigation into the Billy Meier case was carried out by Wendell Stevens and his team including Tom Welch, Lee Elders and Brit Elders in the late 1970’s and early 1980’s.
- Eventually he amassed the largest private collection of UFO photographs in the world.
Unable to possess any of this information for himself, Stevens began his own research and collection effort, eventually amassing the largest private collection of UFO photographs in the world. He began to publish reports on the events, and wrote many illustrated articles for many UFO publications. Disenchanted with the dearth of detail on contact events reported in books and journals of the time, he began preparing detailed reports of his own, self-funded, investigations. His most famous one was the Billy Meier case. He has published more than 22 books.
Wendelle Stevens was actively involved in ufology for 54 years, first as Director of Investigations for the Aerial Phenomena Research Organization (APRO) in Tucson, Arizona, where he retired. Wendelle was a founder of the International UFO Congress and was a director since its inception.
In December 1997 he received an award for lifetime achievement at the First World UFO Forum in Brazilia, capital of Brazil. Towards the end of his life, he transferred his extensive photo collection, library and archives to Open Minds Productions.
UFO research pioneer, Wendelle Stevens passed away on September 7, 2010 at 4:44 pm in Tucson, Arizona from respiratory failure.
Video: Wendelle Stevens Opinion on The Meier Case
Wendelle was convinced that The Meier Case is authentic.
Unable to possess any of this information for himself, Stevens began his own research and collection effort, eventually amassing the largest private collection of UFO photographs in the world. He began to publish reports on the events and wrote many illustrated articles for many UFO publications.
Upon finding out about the Billy Meier UFO case he visited Billy at his home in Switzerland several times before deciding he had seen and heard enough credible and convincing evidence and events to warrant a full scientific investigation.
- The film “Contact” https://www.youtube.com/watch?v=oNefLifaTVU
- and the books “UFO contact from the Pleiades: A preliminary investigation report”
- and “UFO contact from the Pleiades: A supplementary investigation report”
conclude his team’s findings.
Contact Report Translations
In 1979 Wendelle Stevens acquired 1,800 pages from Eduard in the form of 18 volumes of 100 pages each, the entire first edition German contact notes, Semjase Kontakt Berichte 1st Edition, which he then produced Contact_Statistics#Translated_Books|Message from the Pleiades]] with.
The main source for listings in Contacts 3-9, 11-106 & 115 is Wendelle Stevens' 4-volume "Message From The Pleiades: the Contact Reports of Eduard Billy Meier", an incomplete (sections critical of religion & politics have often been excluded; see MFTP4 pg.49), edited and often incorrect English-language translation of the original German-language Contact Reports [the CD-ROM reissues of MFTP1 & MFTP2 are unexpurgated but do not contain all the Stevens annotation material; also the photos are cropped differently with the edges containing more photo material than the print version]. Information given for Contacts 107-114 & 116-present is based on rough machine-translated excerpts of German-language excerpts often found in the FIGU Bulletins, and from skimming the German-language Contact Reports for names, places, and other nouns [readily identifiable to the compiler]; these are not meant to reflect the full contents of any given Contact Report. Full informational reliability on any given topic, quotation or event can only be had from a careful reading of the German-language Contact Reports, "Plejadisch-plejarische Kontaktberichte" & "Semjase-Bericht", available from FIGU (Freie Interessengemeinschaft fur Grenz- und Geisteswissenschaften und Ufologiestudien [The Free Community of Interests in Fringe and Spiritual Sciences and Ufological Studies]): The origin of the English-language translation in Stevens' books (published 1988-1995) is as follows, to the best of my reasoning with the information provided. The original English-language translation of the Contact Reports was done "by a young German college student who spent a great deal of time at the Meier home, living with them and observing the various witnesses in their daily lives, and seeking very careful explanations. His translations were then checked and approved, as he proceeded, by both the others at the home and by Eduard Meier himself." (MFTP preface). Stevens purchased an edited variation (MFTP2 pg.151) of this translation in 1979 as a "standard approved 1,800 pages in 100-page booklets" (MFTP4 pg.403), which had been "copied by Amata Stetter, who partly changed the meaning unauthorized and also copied wrong" (Meier, MFTP4 pg.404). The errors in the previously approved copies were discovered by FIGU circa 1992, "accordingly we had to correct and to print everything again" (Meier, MFTP4 pg.404). Take into consideration that there are not only omissions in the Stevens books, but also, more crucially, interpretation, translation and various clerical errors throughout (sentence numbering, spelling, numerical, etc.).
Research Professor Emeritus James Deardorff (Oregon State University) donated a copy of the 1,800 pages of unapproved (by Stevens) English translations (author unidentified) provided to Stevens by one of the early translators to Billy Meier UFO Research source. Which they have refered to as ‘UET-WS’ (Unapproved English Translations of Wendelle Stevens). Presumably these 4 versions of English translations were made during the period from 1979 to the early 1980s. Deardorff told them that he got these translations somewhere around 1985-1986 from a person named Roberta Brooks who at that time worked at the ‘American Office of FIGU’ situated in Alamogordo, New Mexico, USA. Wendelle has published two editions of the translations of the 1,800 pages. The first edition contained 4 volumes published between 1988 and 1995 and the second edition which contained 2 volumes was published in e-book format only in 2004 & 2005. The second edition contains information that has been expurgated and censored in the first edition because it was considered to be libellous under US law.
Unfortunately many small mistakes occurred in the original translations which have since been documented in notes included in various Contact Reports. However since then, translators have come along to offer better translations and mostly these little mostly minor mistakes have since been corrected.
Light Years by Gary Kinder
A description of Wendelle Stevens found in a book called Light Years written by Gary Kinder which is about Billy Meier.
..."Lou Zinsstag and Wendelle Stevens had never met, though they frequently had exchanged photographs and information on UFO cases. During his thirty years of collecting and investigating, Stevens had acquired a reputation for having a knowledgeable eye when it came to analyzing photographs. Zinsstag knew of that reputation, and in the summer of 1976, she had written to Stevens, telling him briefly about the Meier case and mentioning the photographs taken by this one-armed, unemployed security guard. Prior to her letter, Stevens had heard nothing of the Meier case, but he knew Zinsstag by reputation as well as through correspondence, and he doubted her fascination with the case was unfounded.
Though she was vague about their content, Zinsstag had twelve photographs she wanted Stevens to see; and instead of sending them by mail as she had often done in the past, she wanted to bring them herself from Switzerland to Stevens' home in Tucson.
In early September 1976, Zinsstag flew to the United States, accompanied by Timothy Good, to meet with some of the more prominent figures in American UFOlogy, and to conduct research on George Adamski. On the prearranged day, she called Stevens from the Greyhound bus station in Tucson, and Stevens picked them up, got them checked into a motel, then drove them out to his house. They first wanted to see Stevens' UFO library, which took up an entire wall of the living room, and another wall in his small study. In addition to the 700 volumes on UFOs collected from all over the world, thirty blue binders containing Stevens' collection of nearly 3,000 UFO photographs stood side by side in three tight rows.
Briefly, they discussed various cases, but Zinsstag cut short the small talk when she pulled a folder from her satchel. As Timothy Good remembered, "Lou brought a sort of 'dossier' on Meier." Inside the folder lay a large envelope, which she opened carefully, then slid out a small stack of 5 X 7 photos. As she began laying out each photograph neatly on Stevens' dining room table, Stevens took one look and whispered, "I have nothing in my collection that even comes near the quality of these prints."
When Stevens examined a UFO photograph, he looked first for relative focus, then for distance graying. "Distance attenuation is what I call it," he explained. "The further away an object is, the more moisture, smoke, and dust there will be in the atmosphere between it and the lens. [continue reading]
"Then, I would look for evidence of rephotographing. If it's got a fingerprint or specks on it, I turn it at an angle in the light. If what I'm looking at is not on the surface, then it's printed in the photograph, and that means that something preceded this picture. Also, the distance light travels has some relationship to the color that arrives at the lens. The closer the object is, the more red it appears; the further it is, the more blue. Another thing to look at is light scatter because the curved surface on a larger object scatters light differently than the sharply curved surface on a nearer object. A model can be perfectly realistic, but it will cast light differently."
Stevens examined each print carefully, holding it up to the light and tilting it. In thirty years of collecting and analysing photographs of UFOs, Meier's photos were the most spectacular he had ever seen. Rarely was a UFO photograph more than a single accidental shot taken with poor equipment by an amateur who had no time to make adjustments for proper lighting, speed, and focus. Extremely rare was the photo taken in daylight, or with the UFO below the horizon, or with multiple craft in the same picture. And no one had ever taken a continuing series of photographs of the same craft.
In the Meier photos, shiny silver disks, glinting from the sun, hovered in a blue sky above nearby hills and trees. A distinct red band encircled the upper convex rise on many of the sleekly contoured disks. Others were adorned with equally spaced knobs around the perimeter and a rococo dome on top. In all, Meier had photographs of six variations of spacecraft, each taken in daylight, some below the horizon, and some with two, three, even four spacecraft in the same picture. And each of the photos was the sharpest and clearest Stevens had ever seen. Timothy Good later remembered Stevens' reaction. "He became absolutely in the seventh heaven when Lou showed him the photographs. He was thrilled. Absolutely. Words to the effect, 'best pictures I've seen.'
"When Zinsstag and Good had called from the bus station late that morning, Stevens had been entertaining friends down from Phoenix, Lee and Brit Elders. Lee Elders had been a close friend of Stevens for five years and was aware of Stevens' reputation as a UFO investigator. He and Brit were mildly interested themselves, having been educated in the phenomenon by Stevens. No one could go to Stevens' house and see the fat three-ring binders filled with pictures of flying saucers and not have his curiosity piqued. That afternoon, though, the Meier photos that Lou Zinsstag spread across the dining table amazed the Elders as much as Stevens.
"Photographs of UFOs," said Brit, "are usually fuzzy little balls in the sky that have no definition. And they are so far away and so much out of focus, they could be just about anything."
She laughed. "Sure, somebody has taken a little tiny miniature setting, put it together, and filmed it. That's what that is."
"Actually, Lee used to laugh at my UFO hobby," recalled Stevens. "When he saw the photographs, his position was, 'Ah, they're fakes. Anybody could look at those and tell they're faces.' They looked pretty good to me, but I had run across a lot of good pictures that were fakes, so I kind of half agreed. But I thought, man, these are the best fakes I've ever seen. How did he do it?"
For the rest of the afternoon and into the evening, Stevens studied the photographs and listened to Zinsstag recount her experiences with Meier. She told him about Meier's living conditions in the Hinwil house, his wife and children, and the many people who came to see him. She explained her relationship with Meier and how she had acquired the photos. The man was poor, she said, had only one arm, and seemed sincere. How many pictures had he taken of the craft? Stevens wanted to know. Oh, replied Zinsstag, quite a few more. As he listened, Stevens perceived that Zinsstag was trying to relay a sense of the man and his experiences without telling the whole story, as though she were protecting Stevens from some sort of sensory overload. The pictures spoke for themselves, but it seemed that much of the story, perhaps most of it, remained untold. This perception intrigued Stevens.
The following morning, Zinsstag and Good left for Los Angeles. For the next year, Stevens corresponded with Zinsstag until he made contact with Meier himself and began a correspondence with him. Slowly, he realized that Meier had had more than a few contacts, that details of these contacts had been recorded, that perhaps many more, even hundreds of photographs existed, and that Meier may not have been the only one to have seen and experienced strange things in the forests surrounding Hinwil and now in the hills outside Schmidruti. In October 1977, a little over a year after Lou Zinsstag and Timothy Good had come to Tucson, Stevens decided the case was worth an on-site investigation, and he made arrangements to fly to Switzerland to meet Billy Meier.
"I'm just going to go over real quick and take a look," he told the Elders. He hoped to get prints of some of the Meier photographs for his collection, and mainly "to look the man in the eye to see if he's telling the truth." The Elders laughed. "Tell us what happens when you get there," they said.
Stevens flew to London, then took the train to Wiesbaden, Germany, where he delivered a UFO lecture. The next day, he took another train to Zurich, where he rented a car and began his drive to the Meier farm, as picturesque a drive as one could imagine. In October the green countryside lay dotted with the bright reds and yellows of turning leaves, and many tree trunks supported burlap sacks filled with fresh-picked apples and pears. On nearly every hillside roamed light gray dairy cows with the Glocke or the Treichle dangling from their necks, tinkling as they grazed. Already the farmers had stacked winter wood head high, the split logs forming a face as smooth as a puzzle. The Meier farm stood not so picturesque. Meier and his family had been living at the farm now for only six months. Mud still lay everywhere, and Stevens saw outbuildings standing askew, their roofs sagging. The main house, which shared a common wall with the barn, had no upstairs, only open rafters, and the roof leaked. The only bathroom facilities sat behind the house, a lean-to built over a pit. In the kitchen a pressure pump now brought in cold water from a holding tank, and Meier had wired the kitchen and the main room of the house with electricity for only two bare light bulbs. Most of the floors were still of dirt.
When Stevens arrived at the farm, he saw two cars with people waiting to see Meier, one from Munich, one from Berlin. A few young Europeans, hitch-hiking, or on bicycles or motorcycles, had pitched tents on the driest piece of ground they could find and lived there for a few days, working in the field or garden during the day, and talking to Meier in the evenings. Invited by the Meiers to stay at the farm if he liked, Stevens himself slept in a bedroll in the rafters above what used to be the barn. He felt that any case worth investigating deserved time, and it appeared that the Meier case deserved more than most. He wanted to get as close as he could.
A year earlier in Tucson, Zinsstag had told Stevens only that Meier had had more than one contact and that he had taken at least a dozen other photographs than the ones she had brought with her. In his first day at the farm, after meeting Meier and talking with a few other people, Stevens confirmed his earlier suspicion that Zinsstag had held back some of what she knew about the case to avoid overwhelming him at the outset.
Much to his surprise, Stevens found that Meier not only spoke passable English, but had a colorful way of expressing himself. When the two men met, Meier even offered him a challenge: he said he hoped the colonel would ask questions not asked by everyone else. "He had so many different faces coming and going," said Stevens, "and he had answered the same questions so many times for so many different people, he got sick of it. He didn't want to talk about it at all to outsiders because he'd explained to somebody else yesterday and somebody else the day before, and another one the day before, and another one the day before, and he didn't care. If you didn't ask the right questions, you didn't get the answers.
During his four days in Switzerland, Stevens accompanied Meier on several long walks into the forest behind the farm, and when the weather turned bad he sat with Meier in the kitchen for hours poring over photo albums and talking. When Stevens asked about recent pictures of the beamships, Meier gave him 130 photographic prints, charging him only for the cost of printing. Through an interpreter, Stevens also interviewed Popi, the children, and half a dozen other witnesses, including Jakobus, Hans Schutzbach, and Herbert's friend Harold Proch, who was visiting with his sister. Each had his or her own stories to tell, and each was so convinced the contacts were taking place that when Stevens asked if they believed them, the common answer was, "I don't believe. I know."
With the weather socked in, cold and damp, and visibility at the sites poor, the Gasthaus zum Freihof in Schmidruti provided Stevens with a quiet place to get away from the farm and sit in a warm parlour heated by a large wood stove. One gray morning, he retired to a table by the French windows that overlooked the road spiralling through the village, and began to read the background on the contacts. Meier's alleged experiences appeared to be far more complicated than a simple meeting three years earlier.
Stevens thumbed through the voluminous pages of contact notes, beginning with Meier's account of his first contact with Semjase, a Tuesday afternoon, January 28, 1975, in a field not far from Hinwil.
According to the notes, that January had been unseasonably warm in eastern Switzerland, and the winter had been unusually dry; little snow clung to the lower elevations. Meier wrote that in the early afternoon he had been at his house in Hinwil when the twinkle of a thought had entered his consciousness, and then words and symbols had formed a message, one he had been expecting but not quite so soon: he was to leave his house and bring with him a device for taking pictures.
Responding to the message, Meier had departed on his moped, taking with him an old Olympus 35mm camera with a broken viewfinder and a focus that jammed just short of infinity. He used this camera because the film advanced with a simple thumbwheel he found easy to operate with his one hand.
On his motorbike, he had ridden aimlessly through the village, turning when the glimmer of a command directed him to. After an hour, he found himself far from the village, on a remote road bordering a nature conservancy where he received a final command to stop his motorbike and wait. After several minutes, a sudden stillness descended upon the meadow, and then a large disk-shaped object shot soundlessly through light clouds, slowed in a wide graceful arc, and crossed the meadow four or five hundred feet from where Meier stood aiming his camera. But the moment he snapped a picture, the disk had vanished. When the disk reappeared again, it hovered above a truck parked at the edge of the meadow, only a hundred feet from where Meier stood. He watched the disk suspended quietly no more than three hundred feet off the ground.
Meier estimated the disk to be about twenty-one feet in diameter, with reddish rectangles, like windows, encircling its upper mound. Beneath the craft, the hull, exceedingly old in appearance, seemed to undulate "as if little waves ran continuously through the lower side of the ship." The waves radiated downward, creating an aura around the truck. Meier took a second picture, and again the spacecraft abruptly broke its hovering pattern, rushed toward the east, and disappeared into the clouds.
Climbing onto his moped, Meier had then headed out across the meadow in the direction he had last seen the disk. Only moments passed before he felt a stillness suddenly descend upon the meadow. Then, the disk came streaking through the clouds again, faster than any jet Meier had ever seen. It dropped speed quickly, banked slowly over the forest, and began its descent toward the clearing. Meier took two more pictures as the craft, without a sound, dropped lower and lower, and then landed.
In the warm parlour of the Freihof, Stevens put down the notes and sipped his hot tea. The encounter Meier was about to describe in the notes, he now knew, was only the culmination of a series of phenomena in Meier's life that Meier claimed had been set in motion thirty-five years ago. Before he read further, Stevens wanted to question Meier about the earlier experiences.
Back in the kitchen at the farmhouse, Meier did not hesitate to tell Stevens the long story of his involvement with the Pleiadians, a story that began in his childhood. He said his first sighting of an alien spacecraft occurred one morning when he was only five and a half years old.
"This was in 1942 together with my father," said Meier. "He was behind the house under a walnut tree, it was summertime. When I saw the ship flying, it didn't necessarily seem strange to me. It did look strange in our world, but somehow I had the feeling that it was something familiar. It fell down from the sky, to the tower of the church, and then it came to us and left westward. It was very, very fast. Altogether, I watched it fall for maybe one and a half minutes, and then when it left westward, there were seconds only."
The object had reminded Meier of a huge discus, shooting overhead only 600 feet off the ground, completely soundless, and disappearing over the Horagenwald. He asked his father, "Daddy, what's happened here?" But his father only replied, "It's a secret weapon of Adolf Hitler." "I was thinking that can't be true," said Meier, "that's something else. I don't know if my father realized what he saw because he didn't bother with it anymore. I started to watch the sky day and night."
Meier told Stevens that two months had passed before he again saw the silvery flying disk, this time descending slowly toward a field where he was playing alone. But as the disk neared the grassy surface, suddenly, without a sound, it had vanished. Within moments of the disk's vanishing, something "similar to a voice" arose inside Meier's head. Accompanied by the drawing of vivid pictures in his mind, the voice thereafter spoke to Meier once a day. It requested that he answer, and seek answers of his own.
"In the beginning, I didn't receive entire words or sentences," he explained to Stevens. "It was more like pictures. As time went by, these pictures became words and sentences. Later, I received messages in symbols. Once, I tried to draw one of these symbols, but I was not able to do it."
"Troubled by the voice and the pictures in his head, Meier had told Parson Zimmermann, the Protestant minister in the village, of the great flying disk he had seen and of the voice that had come into his head soon afterward. Zimmermann had a reputation in the village as somewhat of a mystic, far more liberal in his thinking than the parochial outlook of his parishioners.
"I knew Parson Zimmermann," said Meier. "He was the family priest, and I used to play with his children. Another reason I probably went to see him was that even as a small child, I heard talk that he occupied himself with mystical matters. I told him about the experience I had together with my father, and then the voices I heard inside of me, the telepathic calls. That's why I went to him, because I though I was going crazy. I used to go after school; it was not far from the schoolhouse. He told me that he knew about these flying objects; back then, they were not called UFOs; this was nothing new to him. The people who flew in them would come from another world, not from earth. He told me that he understood this, but that he could not talk about it. He was a priest and he would shock the people. He told me to try to learn telepathy, to try to give answers. So I tried as I was told. After a few weeks, it worked, and I was able to answer. I remember very well that Father Zimmermann told me not to talk about it to anyone, otherwise everybody would say I was crazy."
Now, whenever he heard the voice speaking to him, the young Meier would try to direct his thoughts inward, and before long, he felt as if those thoughts made contact with something. "The first reaction from the other side," he recalled, "was like a gentle and fine laughter, which I heard deep inside of me and felt, pleasant and relaxing. I still hear that laughter, but I can't define it. It was a very lovely laughter." Then, the contact faded away once more, and Meier neither heard a voice nor realized pictures. Suddenly, all was quiet again.
On 3rd February, 1944, Meier's seventh birthday, a new voice, low and clear, came into his conscious mind "and ordered me to learn and to collect knowledge transmitted to me." Meier feared that the clarity of this new voice meant he had finally succumbed to insanity.
"I was afraid because as a small boy, I hadn't any experience with the telepathic way. I again had to go to ask Parson Zimmermann what was happening, and he informed me, and I slowly understood."
The low, clear voice Meier now heard belonged to an entity named Sfath, whose thought transmitted teachings continued frequently through the summer of 1944. Then, one day in September, as Meier walked alone in a meadow, Sfath suddenly announced himself telepathically and told the boy he should wait there and not be afraid. "This was some time later and far from our home," said Meier. "It was three or four miles away behind a very big forest, a lonely place. There, I saw something falling down from the sky, very, very slow and it became bigger and bigger. It was something like a metallic pear.
Then, this ramp opened and it came out, going down like an elevator. I entered the ship and we went up very high above the earth. There was a very old man who looked to me like a patriarch. His name was Sfath. He was a human being, like each other one here on earth, only very old. We talked for hours, then he brought me back to the ground. The funny thing was, he knew my mother tongue better than I."
The venerable Sfath told Meier he would remain his spiritual mentor only through the early 1950s, when a much higher form of life would assume the responsibility for further teaching. Meier had been selected for a mission, but Sfath revealed only that decades would pass before the boy knew its nature. Until that time, Meier had to be prepared to meet with many things, some that would cause him again to question his sanity, others that might bring physical harm."
- Photo Analysis from the Preliminary Investigation Report
- UFO Contact From The Pleiades - A Preliminary Investigation Report
- Scientific Experts' Comments on Meier's Evidence
Mentions of world renowned Ufologist Lt. Col. Wendelle C. Stevens are prevalent and he is referenced in many documents.
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